Wednesday, December 21, 2011

Metro

Normally, my commute is a good 15 minutes long--the short walk to the costume shop from intern housing. Last week, because I was house and cat sitting in the 'burbs in Maryland, I took the metro to work every morning, and here are some drawings of my fellow passengers. Messy, awkward perspectives and hasty lines signify quickly done drawings, but I liked doing this sort of guerilla-style documentation, unbeknownst to my subjects.







This guy was on the phone, and it looked like he was talking to his reflection, so I drew both.


Ballpoint pen in stenographer notebook

Monday, November 28, 2011

Red Riding Hood

To get back into it after a huge (but fruitful) hiatus, here are some musings on a variation of Red Riding Hood. I've drawn her in the format of a design I'd like to develop into a performance piece.










Ballpoint pen, brush pen, and ink in sketchbooks
October-November 2011




Monday, May 23, 2011

Dark Night Marketing Imagery

At the good old Purple Rose Theatre Company, the apprentices put a show together every summer called Dark Night. It is a showcase of our skills, and just for a good time and a great creative opportunity. We wrote the scenes in the show and now we're just starting rehearsals. Here are some drawings I did to aid in our marketing campaign for Dark Night...enjoy! The hair/yarn motif ties in with a common thread (haha) in our show, and actually relates to the scene I wrote that will be featured in the show...















Ballpoint Pen in sketchbook and on scrap paper
May 2011

Friday, May 13, 2011

The Easter Beaver


During the run of the current show at the theater, a joke has continued to surface about the Easter Beaver (as opposed to the Easter Bunny). It’s a long story how the Beaver came about, and a hilarious one. We decided to write and illustrate a creation story, if you will, for the Easter Beaver, which we posted in the green room on Easter. I would like to attribute the writing to the fabulousness of Brett Radke and Katie Mack, and here are my illustrations as well:

Have you ever met a beaver and known him to be different? Let us begin the tale of the Easter Beaver. On this day of joy, you may have heard of a young man named Jesus, or even of a hoppity, egg-carrying bunny. But this story is slightly different. Although it might not move you to jubilant tears, we can promise you one thing: The True Tale of the EASTER BEAVER.

Unlike other beaver pups, this beaver was born with a scowl. While most beavers find pleasure in playing with wood or slapping their tails, this beaver did not.

The young pup would grumble inside, thinking, “Sigh. Woe is me. I know I’m not as happy as a beaver could be.”

Then one day, as the spring flowers were blooming, the young pup was grumbling through the forest, and he happened upon a sorely wounded bunny with pacifiers jammed in both nostrils, close by a scattering of brightly colored eggs. The bunny mumbled, in pain, “Damn those terrible twos!”

The beaver pushed past the bunny, unconcerned with the grumbles of a creature with such a pathetic wad of tail.

As he stood over the eggs a sensation tingled through his right leg, then his left, into his little beaver teeth and eventually into his beaver tail.

Like a magnet to a cork, the beaver had found his joy.

Then, the bunny reached his paw up, and with a death rattle on his breath, began to say, “But you’re not a bu---“…


The beaver stood, trembling, with the colored eggs in hand, and screamed to the heavens:

“I. AM. THE EASTER BEAVER!”

As if in agreement with fate, claiming their newfound successor, the eggs began to dance the G.M.E.D.O.O. The Great Macedonian Egg Dance Of Old.

THE END










Friday, April 29, 2011

Portraits


Brush pens on tinted paper
February-March 2011
Ballpoint pen on tinted paper
March 2011

Brush pens in sketchbook
February 2011


These were done in and around the theater...I strangely enjoy doing stealthy portraits of people in which they do not know they are being drawn, so none of these were posed or with the knowledge of the people who were being drawn. Lovely.

Hair

Brush pens on tinted paper
April 2011

Brush pens on tinted paper
April 2011

Brush pens in sketchbook
April 2011

Brush pens in sketchbook
April 2011

 Brush pens in sketchbook
April 2011

I have been fascinated with hair in all aspects of my artwork for a long time--it's inexplicable creepiness when not attached to the head, its longevity, its symbolism. These are drawings made just for fun, and also to help write my scene for the Apprentice Dark Night project at the theater.